Martine Bellen
Commercial Fiction, Women’s Fiction, Historical Fiction, Literary Fiction, Young Adult, Poetry, Creative Nonfiction, (Education Specialist)
Developmental Editor, Manuscript Critique, Manuscript Editor, Work-in-Progress Reader, Line Editor
Martine Bellen, a poet—whose ear guides her when line editing—began her editing career over thirty years ago at Conjunctions, a literary journal on whose masthead she remains. She was the co-editor, with Bradford Morrow and Lee Smith, of issue 28, “Tributes,” comprised of personal essays in which authors that include playwright Ntozake Shange; film director and screenwriter John Sayles; poet Robert Creeley; and master of terror and the supernatural Peter Straub pay homage to a writer they hold in high esteem. From there, Bellen’s book editing work extended to editorial positions at the houses Henry Holt and Company and Carroll & Graf Publishers; authors whose books she aquired included Denise Mina (now published by Little Brown), Amanda Filipacchi (now published by Norton), and Can Xue, who has been longlisted for the Booker Prize and is a Nobel Prize for Literature favorite.
An independent editor for twenty years, Bellen worked with a vast array of clients, from first-time writers to those who are seasoned and published at major commercial houses. For authors starting out, Bellen has been a creative writing teacher at highly regarded colleges and universities—the New School (New York City), Hunter College (New York City), and Wesleyan University (Middletown, Connecticut), to name a few—and, therefore, has experience in articulating how to perform the craft moves needed to develop a novel. Bellen believes her job as an editor is to assist in manifesting the author’s vision. To quote the acclaimed editor Robert Gottlieb, “Editing requires you to be always open, always responding. It is very important, for example, not to allow yourself to want the writer to write a certain kind of book.” Bellen will help you craft and realize your unique work.
Journalist Donald Smith described my comments on his first novel this way: “[Martine] completely absorbed what I was trying to do…pointed out weak spots and incongruities, plot threads that lead nowhere, and deficiencies in characters. She uncovered potentials in plot and character that I had overlooked, often making creative suggestions for strengthening the story.” Helping you after your draft is completed is a collaborative enterprise. Through deep listening and active reading, I strive to guide you toward realizing your creative ambition while using my inventiveness to enhance your vision.
There are, though, other exemplary moments to contact me for help, for instance, when you are first developing your novel and considering point of view, voice, conflict, and plotting backstory and action. I can be a springboard for brainstorming ideas, as well as a resource for how to implement craft.
The writer/editor relationship is distinctive, and I can work similarly to a coach, supporting you and your work when you need it. My aim is to assist you as you sometimes trudge and sometimes dance down the writing-process path to meet your creative goals.
“Since [Martine] sent the letter and the ms., I have not left my desk—-I am working nonstop. [She is] the best editor in the world.”
—Deborah Henry
Author, The Whipping Club
A three season Oprah selection.
—Rochelle Weinstein
Author What We Leave Behind, What You Do to Me, When We Let Go, and This Is Not How It Ends
“ Martine Bellen’s help with my novel, Snaketown, was invaluable, wonderful—and gentle. Among so many other things, she helped me see that who I thought was my most important character was, alarmingly, not needed at all, and, in fact was confusing to my story. I gave Martine everything I had: first, second and third drafts, a first- person change to third, and probably a few hundred italics; flowers, places, names, and exclamations. She kept her calm, and with sincere focus and sensitivity, helped me toward the light. I loved working with her. She continues to be available and helpful when I have questions or need advice. That she has been an editor at a major New York publishing house, gives her the insight into that complicated world, that she is a poet, I believe, gives her the sensitivity to find the beauty of a writer’s individual work.”
—Kathleen Wakefield
Author Snaketown
Winner of the Cleveland State University Press novella prize.
—Amanda Filipacchi
Author Love Creeps, Vapor and Nude Men
—Taylor Barton
Author Condom Eddie
—Thomas Lisenbee
Author Pioneer Street
– Best Juvenile Fiction from the Beverly Hills International Book Awards
– Best Cover Design Fiction from the Beverly Hills International Book Awards
– Best Pre-Teen Book from the National Indie Excellent Awards
– Best Young Adult Fiction at the Purple Dragonfly Awards
– Best Juvenile Fiction at the FAPA President’s Award
—Russell Wiley
Author Russell Wiley Is Out to Lunch
—Grady Means
Author, Meta-Capitalism, The New Enlightenment, and Endgame.
“I searched hours on the Internet for someone who looked like the right editor for me: professional, first-hand experience in the publishing industry (what sells, what doesn’t), and someone who could give me a no-nonsense critique of where I was holding or losing my reader, where I was being redundant, verbose or unclear, and if the piece could be shaped more effectively—all this AND catching the grammar and mechanics details! After eight email inquiries and three phone interviews, I asked Martine on the spot to be my editor. She proved to be everything I knew I needed and then some. I am looking forward to our next work together. I have no doubt that she’ll help me out of the tangled woods I tend to create, to see the forest as well as the trees!”
—Barbara Wade, journalist
—Erik Brown
Author Palm Beach Detective
—Donald Smith
Author The Constable’s Tale
—Terris McMahan-Grimes
Author Smelling Herself and Somebody Else’s Child